Procol HarumBeyond
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Brooker, Dunn, Pegg, Phillips, Reid, Whitehorn
If you were able to get to this gig, please send
us all your pictures, memorabilia, interviews and so forth!
The VIP Room |
As the song
evolves it has acquired a new quiet lull before the final verse – as did Nothing but the Truth in the mid-90s |
Homburg |
‘The signpost is
too tall’. Sound mix still not quite settled |
Typewriter Torment |
Very sharp new
ending to this piece |
Beyond the Pale |
A tremendous
‘Oy’ from the audience at the end |
Something Magic |
Guitar plays the
pizzicato string fills |
Simple Sister |
A great
crowd-pleaser |
Robert’s Box |
‘Aloha’ vocals
from Geoff W and Matt; synth horn solo unconvincing |
Fat Cats |
(preceded by a
few bars of The Final Thrust). Not dissimilar
to Conquistador and played with
great panache |
For Liquorice John |
Featured bass
solo by Matt in the quiet part before the final verse: very effective |
Sister Mary |
Haunting, lengthy,
rather fascinating. This song first appeared in the context of the mooted
Brooker / Frampton / Bruce project, and was later recorded by Procol during
the The Well's on Fire sessions (a dry mix exists). It's been heard
at soundcheck occasionally since 2003 with words including 'Brother
Michael', but these were not sung tonight: the song seems to have been
rewritten. BtP asked Keith Reid if there was a story
behind this number. ‘Not really,’ was his succinct response. |
Pandora’s Box |
Extended playout
with new (old!) rhythm; great |
Seem to Have the Blues (Most all of the Time) |
Piano solo and
notable |
Whisky Train |
Geoff Dunn’s
solo is episodic, unpredictable, stylishly fast and violent |
This World is Rich (for Stephen Maboe) |
Worked extremely
well, though the number has proved problematic in the past |
A Salty Dog |
Vocally a
magnificent performance |
Encores |
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A Whiter Shade of Pale |
The trick
opening quotes Air on a G String
but with some unBachian chords interpolated; thereafter the Fisher melody is strongly
featured. The arrangement is OK for a novelty. |
Missing Persons |
Big, busy rocking ballad with late-period Reid words; extended work-out on guitar and organ; good harmony vocals. A bold surprise to close this significant show: does it signify a creative upswing preceding some recording activity; or does it simply look back at some of the missing persons whose musical contributions have helped bring this fine group to its present pitch of performing excellence? Later heard in concert here, here, here, here, here and so on |
17 |
songs
altogether: |
0 |
From
Procol Harum |
0 |
from
Shine on Brightly |
1 |
From
A Salty Dog |
1 |
From
Home |
1 |
from
Broken Barricades |
2 |
From
Grand Hotel |
1 |
From
Exotic Birds and Fruit |
2 |
from
Procol's Ninth |
1 |
From
Something Magic |
0 |
From
The Prodigal Stranger |
2 |
from
The Well's on Fire |
3 |
Non-album
tracks |
2 |
Unrecorded
songs |
1 |
Gary
Brooker solo track |
A
very unusual set; of the two unrecorded songs, Sister Mary is a substantial fleshing-out of something the band
has doodled with at soundcheck for years, while Missing Persons (Brooker / Reid) was written within the last fortnight (it’s not
to be confused with Missing Person
(Brooker / Sutherland) as heard on Echoes
in the Night). Note the absence of Conquistador
and Grand Hotel: both were featured on
the printed setlist, shewn below, as were The Milk of
Human Kindness and (You Can’t) Turn
Back the Page. Had all these been played, it would have been a truly epic
concert; but the heat onstage was very tiresome, and, of course, Gary Brooker
had another concert to give the following evening. Very agreeable for one BtP
webmaster to hear his own piano being used on stage by the Commander.
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Procol dates in 2007 | More about the 40th Anniversary celebrations
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