Procol HarumBeyond
|
|
PH on stage | PH on record | PH in print | BtP features | What's new | Interact with BtP | For sale | Site search | Home |
Robin Trower's 2010 CD reviewed by Gerard York
This review was originally written for
Hittin' the Note
magazine, and is reproduced here by permission of author Gerard York (pictured
below with Robin Trower in 2008). Robin told BtP (telephone call, 23 March 2011)
that he's been 'fantastically gratified' by the response to this wonderful
album.
Robin Trower returns with The Playful Heart, a strong set of eleven
musical vignettes reflecting on love and life. Notwithstanding Trower’s use of
the power trio format, there are a number of strikingly intimate songs on The
Playful Heart. No more Hendrix-inspired heaviness about being “too rolling
stoned”! Trower recorded these songs with the same group of musicians he has
been touring with for a number of years – drummer Pete Thompson, singer Davey
Pattison, and bassist Glenn Letsch, plus frequent Trower collaborator, bassist
Livingstone Brown.
While
Trower has made his name as a guitar hero, The Playful Heart reminds all
what a great songwriter he is. Trower himself sings half the songs, and his
thin, reedy voice is in perfect range for many of these slower, reflective
tunes. Trower arguably set his template for these songs in the shimmering
Song for a Dreamer, Procol Harum’s tribute to Jimi
Hendrix on the 1971 album Broken Barricades: a number of tunes on The
Playful Heart have extended outros, where the notes dreamily float off into
the ether.
Steady power chords propel album opener The Playful Heart, a song where a
disappointed lover expresses a sense of loss because “the world could not fulfil
the playful heart.” Pattison’s voice is strong, but not quite as soulful as the
deep-throated growl of the late James Dewar, the fellow Scot bassist-vocalist
who performed in Trower’s line-up in the 1970s and 1980s. The mid-tempo Don’t
Look Back provides individual portraits of regret with a throaty warning
from Trower, “Don’t swim out on the torn dark sea / To drown in doubt and self
pity / Don’t look back.”
The
light Dressed in Gold is reminiscent of the psychedelic pop of early
Traffic albums, offering a portrait of an aging socialite who “holds every last
flame in thrall.” A pulsing bass line opens the slow, almost hypnotic Find Me,
with Trower’s guitar tangling with a breathy Pattison vocal.
While the album has a number of slower, reflective tunes, it has some scorching
rockers as well. The Turning features crisp, full Santana-like solos with
an extended outro and provides a determined portrait of individual resolve
(“Time has come – to lose the pasts / Ashes to the wind / When the first becomes
the last / The turning shall begin”). The muscular Song for Those Who Fell,
offering a guttural vocal by Trower, expressing the regrets of one “who fell /
Over a heart they could not keep.”
The tender Maybe I Could Be a Friend offers another breathy vocal by
Pattison, and delicate, aching solos from Trower. The downbeat Prince of
Shattered Dreams finds a disappointed lover pondering lost love. The worldly
observer of the jazzy Camille urges this young lady on the street to
leave smoke-filled rooms and seek true love. The rhythm section shines in the
throbbing Not Inside – Outside as the singers express a resolve to get
“outside this whole mess”. And We Shall Call it Love ends the album with
Trower singing a soft invocation to the blessings of love “And from this day
I’ll be with you …”
The Playful Heart is very similar in mood and atmosphere to Trower’s 2009
release What Lies Beneath, another equally strong release full of largely
introspective, moody songs. Neither of these recent albums has much of the
Hendrix-influenced heaviness of Trower’s landmark 1970s albums like 1974’s
Bridge of Sighs. Those looking for an introduction to Trower’s classic
period would do well to obtain the recently released UK anthology Robin
Trower: A Tale Untold, which includes five 1970s chart-topping releases from
Trower (Twice Removed from Yesterday, Bridge of Sighs, For
Earth Below, Live and Long Misty Days), plus various b-sides,
unreleased cuts and single edits. Also, Procol Harum’s 1970 Home
(featuring the absolute barn-burner Whisky Train”) and 1971' s Broken
Barricades both show Trower stepping forward as a songwriter and fiery
guitarist. More recently, 2008’s Seven Moons, which Trower recorded with
bassist Jack Bruce, sounds like a long-lost Cream album and is not to be missed.
RT@RO.08, a 2008 CD / DVD release, features Trower’s touring band
enthusiastically covering 17 songs from 1973’s Twice Removed from Yesterday
through 2004’s Another Time, Another Place. Singer
Davey Pattison, who also sang for Ronnie
Montrose's Gamma, first sang with Trower in 1987’s
Passion. Veteran UK drummer Pete Thompson also joined Trower with the
Passion album. Thompson, who played on Robert Plant’s Fate of Nations,
is a versatile enough drummer to tap along perfectly on the slow songs yet
powerful enough to engage in a truly Bonham-esque mashup when required. Bassist
Letsch joined the Trower line-up just in time for RT@RO.08, replacing
veteran Trower bassist Dave Bronze.
Listeners won’t go wrong picking up The Playful Heart: If Trower keeps
releasing great albums like The Playful Heart and What Lies Beneath,
another trip to the top of the charts may not be far away!
www.TrowerPower.Com |
www.robintrower.com |
www.scottpaulone.com |
www.daveypattison.com
Buy the CD from Amazon USA or Amazon UK |
PH on stage | PH on record | PH in print | BtP features | What's new | Interact with BtP | For sale | Site search | Home |