A Salty Dog
Reviewed by Stephen Reid on Amazon,
December 2011
This is a great album, made better by the bonus tracks. The production (and
orchestration) by Matthew Fisher is flawless. The title track is a haunting
and atmospheric song of the sea. The keyboards (both Brooker's piano &
Fisher's Hammond) are sublime, Keith Reid's lyrics are simultaneously witty,
scholarly and raunchy. Robin Trower shows why he was regarded by many as a
natural heir to Jimi, and Gary Brooker's vocals make you wonder how the hell
he was overlooked while the likes of Rod Stewart were held in such critical
awe for so long. The album cover (a brilliant spoof of the old Player's Navy
Cut cigarette pack) is one of the most iconic of the sixties. But that's not
what this review is about. No, this review is about Barrie Wilson's
drumming.
The late Barrie (BJ)
Wilson was in my opinion the best of the five best drummers of the rock era
– you don't want to know the other four (oh okay then, it's John Bonham,
John Densmore, Topper Headon and Dave Mattacks). Good drummers keep the beat
almost unobtrusively - they drive the rhythm, and that's it, but when BJ
plays you find yourself listening to the drums like they were a lead
instrument, with no detriment to the rest of the track. His drumming quite
literally punctuates Procol's melodic and lyrical masterpieces. Listen for
example to The Milk Of Human Kindness (and the bonus 'raw' track) - I
defy you not to anticipate every across the beat hit he makes. Apparently he
used to sit side on [sic] to the drum-kit,
leading one reviewer of a Procol gig to comment that BJ looked like an
"octopus in the bath" while drumming – what a great image!
Hail to the
drummer; Barrie Wilson – powerhouse behind the
kit.
A Salty Dog reviews |
BJ Wilson's page at BtP