Procol Harum

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In God's Shadow

Keith Reid, recorded by John Waite


Hear the song on The Keith Reid Project: 2008 solo CD

We speak out like children
Of the dreams we chase and pursue
These rights we hold precious
Say it loud enough, and it'll be true

Wild conversation
And the hours go by so fast.
And you find a lot of wisdom there
At the bottom of the glass.

And when the lights go down
And the laughter fades away
Somewhere between the moon and the stars
All of life's certainties … they all just slip away.
And you lie down in God's shadow
At the end …
The end of the day

We speak revolution
But the future's already been sold
The masters of diffusion
Spinning their fine webs into gold

The matter of existence
Our ship wasn't built to last.
We’re sailing out on troubled seas
Nail our colours to the mast.

And when the lights go down
And the laughter fades away
Somewhere between the moon and the stars
All of life's certainties … well they all just slip away.
And you lie down in God's shadow
At the end …
The end of the day

Now, the avenues so crowded
And they're turning up the heat
And the red lights keep on flashing past
Tonight on Bourbon Street

But when the lights go down
And the laughter fades away
Somewhere between the moon and the stars
All of life's certainties … they all just slip away.
And you lie down in God's shadow
At the end …
The end of the day

Warning about copyright 


Keith Reid on John Waite, 2009 (from the Dutch JW website))
'The thing about John is he’s incredibly soulful. You know, he’s got an exceptionally ... he’s got like a unique voice, in as much as, you know, it’s very identifiable. Not in a kind of an R&B kind of way, but he just ... [he's] kind of almost like a country singer, you know. He sings just very directly, and you sort of really feel that he’s experiencing the emotions. I was introduced to him by a mutual friend, a guy called Frankie LaRocca, who was a friend of mine from New York, a drummer. And we got together one, John and I and Frankie and a few other guys, and we went out and had a couple glasses of wine, and started talking about the meaning of life — putting the rights and the wrongs of the world together — and you know, it was just one of those great evenings, and I just went home and kind of wrote it all down. I just put down what had been happening, you know, the first few lines of the song “You speak out like children/the dreams we chase and pursue,” and ... it was kind of in some ways laying down what had happened. And then I turned to the thought that, basically, at the end of the day, as I put it in the song, we lie down in God’s shadow, but by that I mean that, you know, the kind of whatever sort of spiritual feelings one has in the face of ... we kind of lie down in the face of the unknown. And it was one of those magical things, and the song sort of came out of that direct experience.'


In the 70s John Waite was a Chrysalis artist, who inherited producer Bob Ezrin when he and Procol Harum could not work together (see here):

"Chrysalis had invited Bob Ezrin to come to London to talk about producing an album for Procol Harum. But several members of Procol Harum didn't agree (see here and search for 'Ezrin') and that was it. While in London, Ezrin, just for the sake of curiosity, decided to look and listen to The Babys. He saw a future for the band, especially for the US market, and our sound was varied, heavy but still melodious. Also the image of the group was right, so Bob offered us to produce our début album."

Thanks for information, Sam


Keith Reid's page at BtP | The Keith Reid Project: 2008 solo CD | More non-Procol Reid writing | Keith Reid's book


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