Procol Harum
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Procol Harum (the A Whiter Shade of Pale group)
readies reissues
UK-based reissues specialist Union Square Music (www.unionsquaremusic.co.uk)
is reissuing expanded digital versions of Procol Harum’s classic
albums Grand Hotel, Exotic Birds and Fruit,
Procol’s Ninth and Something Magic on 1 November 2010
allowing fans of sophisticated music the chance to re-evaluate
one of rock’s most consistently innovative bands. Careful
remastering has brought out hitherto elusive nuances;
judiciously-selected bonus tracks offer a unique insight into
the compositions of Gary Brooker (music), Keith Reid (words) and
their less-frequent collaborators, and into Procol Harum’s
studio methodology.
Grand Hotel
Released in March 1973 in a busy year for classic albums (Pink Floyd’s Dark
Side of the Moon, Paul McCartney’s Band on the Run, and a brace of
albums apiece from Elton John, Bruce Springsteen and Roxy Music) Grand Hotel
once again proved Procol worthy of their place among those major players.
The album reached No 21 in the Billboard charts in 1973, was certified Gold and
remained in the album chart for seven weeks.
Many were surprised that the theme of the Grand Hotel did not extend over the
whole album – to form, dare one say it, a concept album. But Keith Reid confined
his concept to the title track: “‘Dover sole and oeufs Mornay; profiteroles and
peach flambé...’ I was very pleased that no-one had come up with that rhyme
before,” Keith told sleevenote writer Patrick Humphries.
Certainly Grand Hotel is a brilliantly evocative moment. Brooker’s
stately melody supports Reid’s gorgeously decadent lyrics, and as with Liza
Minnelli’s Cabaret the previous year, there was something louche and
slightly illicit about what Procol was promising here. Elsewhere, the poignant
For Liquorice John, the wry A Souvenir of London (a single that
was banned by the BBC as it concerned catching an STD, albeit none too
obviously) and the elegant Fires (Which Burnt Brightly) offered further
proof of the band’s astounding versatility.
NME acknowledged the title track as ‘a masterpiece of musical perfection
and lyricism’, while Richard Williams, in a glowing Melody Maker review,
reckoned it ‘stands with Whaling Stories and A Salty Dog as the
group’s finest achievements (they are, too, almost unique in that the more
ambitious they get, the more they succeed)’.
The digital release is augmented by two previously unreleased bonus tracks
selected by Gary Brooker from the session tapes – raw versions of Grand Hotel
and Bringing Home The Bacon without the orchestra [sic].
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