Procol HarumBeyond
|
|
PH on stage | PH on record | PH in print | BtP features | What's new | Interact with BtP | For sale | Site search | Home |
Brooker, Dunn, Pegg, Phillips, Whitehorn
If you
were able to be at this show, please send photos, and souvenirs to
webmaster@procolharum.com for
sharing with the wider world
I Told on You |
|
Pandora's Box |
'Any
virgin Procolites tonight? Vestal virgins?' (views audience members
in question) 'Not quite how I imagined them, somehow …' |
Homburg |
Band intros. GB advertises the Procol Harum shop, and urges customers to find an ATM, since it is cash-only. Imagine my surprise on first hearing this song live, with the key-change ending instead of the fade, at University College London in about 1974. GW name-checks Gary Brooker during the applause at the end of the song … ‘Your cheque’s in the post!’ says GB. ‘Procol’s
Ninth, in the plain grey cover – that really worked.' GB says
'IXth', then adds, 'Even our name is Roman ... and it was born in
The Unquiet Zone … |
The Unquiet Zone |
Not as fast nor as frantic as last night, but still exciting, and a terrific guitar solo |
Last Chance Motel |
Nice to hear the four good harmony voices together, and even fans who don’t particularly like the song will probably concede that it’s an attractive arrangement. The falling ‘ostracised’ accompaniment is somewhat reminiscent of the ‘because, you know’ episode in Businessman. A wave of applause as this song is ending suggests that there are plenty of fans for a parody so accurate as to be indistinguishable from the real thing |
The Devil Came from Kansas |
‘The only Procol Harum song with an American name in the title,’ says Gary. Later on, reminded by a pedantic webmaster that Niagara is half in America, he says ‘Ooh, I like that one.’ Difficult for members of the audience to insert the handclaps, BJ style, in the little drum break as we remember them. Geoff Whitehorn indulges in a bit of bimanual widdling and lots of harmonics … a real masterclass in developing a solo, especially give the very static harmonic substrate offered by this tune.
'The Lord said we must rest
once a day. We take Sundays off. What key? C? That’s nice and easy –
all the white notes ...' |
Sunday Morning |
What a build-up! Its emotional range is like that of Barnyard Story, but the contrast of the super-bluesy vocal over the Pachelbel bassline is more than reminiscent of something about A Whiter Shade of Pale.
Metronomic clicking starts to emanate from the piano … GB has
pressed the wrong button. 120 clicks per minute … Procol start to
play Jive Talking … but conclude that ‘that is just not a
Procol Harum tempo.’ |
Simple Sister |
A splendid rumpus, and very warmly received as the crowd goes into the City Winery interval. A fellow Bristolian, most unexpectedly encountered at the merch stall, tells me that they also sell cider … cheers, Phil! |
Bringing Home the Bacon |
'Music is just music,' says Gary, 'but Procol Harum
lyrics just don’t go out of date.' He namechecks Keith Reid. |
As Strong as Samson |
Now that the audience believes they've heard a
request played, there are tremendous shouts for personal favourites
between every song. |
Shine on Brightly |
Gary is chatting to the audience about 'sweetness'; a horrible chord comes from the piano: ‘That’s what sugar does to you.’ But in fact it is the first of the four bitonal chords that preface Whaling Stories. At soundcheck, this song had been prefaced by most of the little jazzy licks that fans remember so well from the WPLJ-FM concert version (1971). If only some enterprising record company would bring that out in a fully re-mastered edition, maybe with another live concert for good measure and a full set of bonus tracks from the then-new album Broken Barricades! |
Whaling Stories |
Gary’s Ricola advert, for anyone who suffers from a dry throat. ‘Ten years I’ve been doing this, and they still haven’t sent me any. That’s why the Swiss are so rich.’ And later, ‘American Express cheques? Not worth the money they’re written on.’ ‘We’re not here to
build walls' (great cheers) |
Businessman |
|
Neighbour |
|
A Salty Dog |
A wonderful
performance |
Conquistador |
Gary counting the oceans of the world … gets up to Seven Seas without a mention of the Baltic! We’ve never played in South America, he muses, going on to play a bit of One Note Samba by Antônio Carlos Jobim. 'One note, and he made money out of that?' So does Gary do the trumpet intro sound these days? I couldn't quite see. Another huge standing ovation 'We can’t go
without letting you hear the song that made us famous.' This room
seems exactly right for everything in the first verse, GB
says, maybe Keith Reid had foreseen it? |
A Whiter Shade of Pale (three verses) |
Slow start ... bit of Jesu Joy of Man's Desiring, then Bob Marley ... no spoken spiel about dropping bass-lines; little bit of Grand Hotel; thuggish rapping of first two lines of Homburg; then Percy Sledge; then Air on the G String, then suddenly, without warning, into a three-verse AWSoP. The band really listens to each other to pick up cues! First instrumental break guitar ending with plenty of harmonics; second verse 'shore leave'; second instrumental break shared between piano and organ. Final verse 'no reason'. And thus ended another mesmerising concert ... |
17 | songs altogether: | 1 | From Procol Harum | 1 | from Shine on Brightly |
2 | From A Salty Dog | 1 | From Home | 1 | from Broken Barricades |
1 | From Grand Hotel | 1 | From Exotic Birds and Fruit | 2 | from Procol's Ninth |
From Something Magic | From The Prodigal Stranger | from The Well's on Fire | |||
5 | From Novum | 2 | non-album tracks | Who writes this stuff? Why does he or she bother? And if it's worth publishing, why don't they get a name-check? |
PH on stage | PH on record | PH in print | BtP features | What's new | Interact with BtP | For sale | Site search | Home |