Procol HarumBeyond
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Brooker, Dunn, Pegg, Phillips, Whitehorn
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I Told on You [Tasty electric piano fills
from Josh; GW using his new guitar, a Gibson 335 copy. Sounds great]
Homburg [Even the people in front of us, who knew 'only
AWSoP', recognised this with pleasure]
Nothing but the Truth [I tried hard not to listen
to this at the soundcheck so as to be surprised by it in concert. A fine song
... sparkling with juicy Hammond]
Last Chance Motel [GW moves on to guitar #2. Harmony voices
sounding great. Lead vocal 'remix' in the dénouement]
Pandora's Box [very sprightly ... faster than usual, I
believe]
As Strong as Samson [new piano intro, spontaneously
developed, and effective. Wondrous bass fill before the 'Ain't no use' coda]
Sunday Morning [Gary tells the audience that the words are
exhibited at Tower Hill tube station. Someone yells out that they saw it! 'Were
you being held in the Tower of London?' asks GB]
Businessman [the falling 'Psycho' chords sounded odd when I
first heard this number: now they seem smoothly integrated and essential to the
song]
A Salty Dog [Our audience neighbours, in their late sixties
but at their 'first pop concert', loved this and praised its mystery and dynamic
range. Kudos here to Josh's Yamaha, Montague]
Before the music can continue, GB stands at the piano fettling his 'in-ear monitors' with a running commentary including 'This is professional, isn't it?' So completely relaxed and freewheeling in his verbal manner on stage, yet so completely transported in his performance of any great songs. Remains an enigma!
Image of the Beast [starts and ends
with growly, sinister organ. GW now on third guitar of the evening. All loose and funky. Hilariously inapposite jazz
ending (as mocked in Yours if you Want me) inserted at the piano]
An Old English Dream [inventive piano, and nice ;slack time
before certain verses. Preceded by tales of Gary's 'dream' of being run down by
a Nottingham tram ... 'that would be your last accident ... unless it only cut
off your feet'
Grand Hotel [a bit more anti-Nicola Sturgeon riffing! Looking
back, GB recalls that there were '15' people last time Procol played here, in
1995. Geoff suggests the present audience are that small congregation's
descendants]
Can't Say That [GB likes to say 'Novum' in a deep,
Morgan Freemanesque voice. Free-form start ... guitar solo, organ solo ...
terrific singing ... and a mighty playout]
Cerdes (Outside the Gates of) [the line 'who only sips his
crème de menthe' has a real timeless quality! Marvellous guitar from the Duke of
Gravesend]
Neighbour
['Let's sit here for a while and hate our neighbours'. Very
amusing and precise]
Conquistador [Josh gets up and removes a drinks can from the
Leslie during verse 2. One forgets how strange the syncopations here sounded in
1967. The piano gap after 'only die' is different every night]
The Only One [preceded by a nice mention for the Merch
team ... 'without them, I can't pay the band'. This new classic is loudly
applauded by what GB called 'a cultured audience']
A Whiter Shade of Pale [three verses, piano solo, guitar
solo, stately ending to a great concert before a warm audience. Even though the
venue was not full, the applause was generous, and rightly so]
18 | songs altogether: | 2 | From Procol Harum | from Shine on Brightly | |
1 | From A Salty Dog | From Home | from Broken Barricades | ||
1 | From Grand Hotel | From Exotic Birds and Fruit | 1 | from Procol's Ninth | |
From Something Magic | From The Prodigal Stranger | 1 | from The Well's on Fire | ||
8 | From Novum | 2 | non-album tracks | Lovely to chat to so many merch customers and hear how much they enjoyed the concert. |
Procol dates in 2017 | Booking
PH on stage | PH on record | PH in print | BtP features | What's new | Interact with BtP | For sale | Site search | Home |