Procol HarumBeyond
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Question: does Gary Brooker preface so many songs with these
streams of sometimes-bewildering, seemingly-focusless buffoonery in order most
sharply to offset the gravitas with which the band delivers the hallowed
material? Is it a disarming tactic to pre-empt the sort of sharp-eared criticism
– of the chancier moments in a marvellously risk-taking set – that he might
expect from an audience containing a fair number of musicians who, he
occasionally claims, 'know the songs better than we do'? Is it intended to
puncture the misapprehension of those still locked in the belief that Procol
Harum are a band with pretensions? Is it conceivably a distraction that
contributes to his occasional lyric mix-ups while singing? Is it a welling-up of his naturally surreal
humour in the presence of a crowd that he probably knows 50% of by sight, and
many a good deal better than that, and who respond so warmly to this very
British brand of post-Goonery? Maybe it's a mixture of all the above? It's
certainly unique in rock and roll, and it makes for a very memorable atmosphere.
In any event, if you couldn't get to London (or if you could, and couldn't
distinguish all the banter) this is what was said on the night of the Procol
40th party, with Geoff Whitehorn very much in the straight-man rôle. You will search in vain for much in the way of backward-looking or
sentimentality, for past-alumni name-checks or laurel-resting: Procol Harum is a band
that is moving forward, albeit not as rapidly as some would like! Yet the tone
here is unmistakably one of great reverence for the repertoire and love for the
fans, the crew, and fellow performers: and quite rightly so, on such a
significant occasion.
(In sepulchral tones) Thank you, and good evening! (a little child calls out: laughter) |
Procol Harum
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(Mouths to GD 'Homburg'). Three, four ... |
Procol Harum
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Thank you very much indeed, and welcome to St John’s Smith Square, that we’ve been invited to by ... er ... 'Beyond the Pale’, I think, which is very nice of them. That first song was called The VIP Room, which is where we all want to die, not out in the cold, doing nothing, fishing or something, where nobody sees you. If you’re going to flop down dead, let it be in front of everybody. Get your name on the papers. The second song was called Homburg. I don’t know what that is in Italian, but I know it was recorded by a group called Dik Dik ... (laughter) ... (cries from audience ‘Camaleonti’) Pardon. Oh! Camolios! Sorry. Well they called it Dik Dik, that was the name of Homburg in Italian. A young man who has always written with me, a young man
called Keith Reid, a very fine lyricist, one of the best (long applause) ...
thank you ... and like all of us he has his bad days as well. He must have
been going through a particular torment with this one. |
Procol Harum
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We are ... not quite used to playing in this heat. Quite warm in ... I think
it's probably because this ... it was a lot colder in 1967 when I bought this shirt
(laughter). (Giggle) Still fits! Comes out once every ... sort of ... ten years, on a big
anniversary. And I do understand that in fact ... if it's 2007, then that's
forty years since ... this band first started ... which I'm sure you
wouldn't have thought we'd go that long (whistles, applause: cry of 'Still
sounds great'). We sort of had
nothing else to do really. (laughter) Piano's out of tune, but that's the way it is. This one always reminds me of Poland, which we visited when it was under ... um ... The Pope, when he owned it. It's called 'Beyond the Pale'. |
Procol Harum
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What does anybody fancy? (Geoff Whitehorn: Grand Hotel).
Cries from audience include Ghost Train,
Whaling Stories, Piggy Pig Pig, The Idol, The Worm, Dead Man's Dream.
A flat. It's on there (meaning the setlist) ... it's on there as a
possible, Geoff. (GW: Not in A flat, it's not!) My way of looking at keys
is (GW: Oh, I see) what's the first chord: and that's the key it's in. (GW: take your
point, Gaz, sorry, I stand corrected!). The rest will follow (GW: hopefully!).
With any luck This is actually one we haven't played very much, 'cos it was on a particularly ... one of our 1977 albums. In fact we only had one album in 1977, it's called Something Magic. A flat then. (GW: Is it A flat?) Yes I think so. (Laughter). Well I think it's A f lat. (GW: I'll take your word for it Gaz.) One, two, three, four ... |
Procol Harum
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Whew! Cor! (GW: Fancy one we know?) Yes ... something with only four chords,
preferably. (GW: would be nice). Not forty-four. (GW: All of them!) Apparently
that song has all of the chords in it, both majors and minor. Every
note in the scale. Somebody pointed that out once, whose name shan't be
mentioned. Well all right it was Geoff Whitehorn. Geoff Whitehorn's on the
guitar, ladies and gentlemen. (GW plays little clip, which Josh finishes
off). Ah, comedian on the organ, as well, that's marvellous! We'll get your
name later. Phillips, J. What are we doing, Geoff? (GW: it's entirely up to you, it's your show.) No, you're the ... (We could do the one we were going to do ... ) That's what we're waiting for ... (GW: shall we do the one we were going to do?) No, we'll do the one that we were going to do after the one, 'Here he is, Geoff Whitehorn' (GW: Ahhhhhh!). It's where you go ... duh duh duh (plays air guitar) (GW's real guitar cuts in) |
Procol Harum
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Geoff Whitehorn on the guitar, Geoff Dunn on the drums. We'll take it easy in a minute (unintelligible ... 'had a heart-attack'). I know. Bob's Box (cheers). How do you know what we mean? That's code. We've got lots of songs with 'box' on the end: and you see we have to decide which box it is; we can't just say (US accent) 'Baax'. 'Cos we might do Shadow Boxed or Pandora's Box. But this one is called Bob's Box. (Taps feet to get rhythm right) |
Procol Harum
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'Scuse me, just have a ... 'scuse me, will you mind if I just have a drink of
water? Thirsty, you see. (Sinister voice calls out: If you play The Final Thrust ...
) Right, who's that? Out! Hey ... out! Out! (GW: Security!) (GB starts to
play The Final Thrust (in C!) but it peters out.) No, don't know that
one.
In fact we probably don't know this one either. (laughter) (GW: Oh now ...
when do we get to
relax, Gary?) (M Pegg: Monday). Monday. (GW: Monday, fine). Well you do, anyway. I've got to
go to the dentist. Dentist or the doctor's, it's usually one or the other.
Now, we've got a very hard beginning, as we know ... one of the hardest beginnings we've ever had (GW: Ever) ... ever. It starts off with me having to get the right tempo. Which is very hard. 'Cos I tend to tap-dance and that gives me the rhythm. (a few steps). Yes, that's about it. |
Procol Harum
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Cor, you could hear a pin drop. Yeah, I'm all right. How are you all, any way? You all right? Might seem quite light-hearted and things, but in fact it's very worrying, on this, very worrying. I mean ... absolutely completely knackered and we're not even half-way through. We'll put in some ballads. Or what we call ballads. That one for Dave Mundy. (muttering and miming on stage ... whispers of 'Liquorice', 'John', 'F minor') |
Procol Harum
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I think you start ... (indicating sheet of paper to GW) where ... you
start there? Start then! (GW: I
forgot to bring me glasses) Ah Gawd. Well ... you got a pen? (GW: Hard to
see ... (mimes large banner)) Write it out bigger. Got any glasses? Got any glasses? (laughter). (GW:
[unintelligible ... Worrin hudzpad]) What (GW: What, sorry) Bravely spoken. |
Procol Harum play Sister Mary |
No spoken introduction |
Procol
Harum play |
(Plays some blues piano). It's come to the part of the evening where we play the blues. Most English boys are not happy unless they're playing the blues. This one's [stumbles] ... called ... 'killed'? ... Killed, will be in a minute; one of the longest blues titles that certainly Geoff Dunn has ever heard ... takes up the best part of a line across an A4, in about three point. It's called ... I Seem to Have the Blues (Most all of the Time). After a 'one'? (GW nods) One! |
Procol
Harum play |
No spoken introduction |
Procol
Harum play |
Thank you ... Robin's Trower's Whisky Train. Geoff Dunn, drums. Once again, Geoff Dunn, drums. Geoff Whitehorn, guitar. Mark Phillips, organ. Eh? Sorry ... Josh Phillips, not Mark Phillips. Captain Josh Phillips. And Matt Pegg, bass. The baby. (GW: ladies and gentlemen, the reason we're all here, of course, Commander, MBE, Lord of ... (GB: Mud) ... the Rings ... Gary Brooker). That's not the reason we're here, Geoff, you know that, it's because it's cheap. You get your money's-worth, Visa. Well we've only got seventeen songs to go, can anyone stand that? No seriously, this'll be the last one, probably. (Cries of dismay). Oh, got to check watches. (Cry: 'You got all night!'). No we haven't, they close! We got the 'bus to get. No, well, no, you know how it is. I love this song, and I didn't even write it. Keith wrote it. But what I like about it is that ... um ... I just kinda like it. Well I like the words, that were written originally from a statement by Stephen Maboe, who was a ... what was he? Oh Gawd, fancy asking ... he's from Gravesend, know what I mean, there's no point in asking you. Polkahontas [sic] is all you know. A South African man that cares about the world. And he knows that his people don't have anything, and all you Fat Cats here have got it all. Eh? Otherwise you wouldn't be a able to afford this ticket! You know that. You de baad people. The rich people. |
Procol
Harum play |
This World is Rich, thank you. |
Procol Harum play A Salty Dog |
Thank you for having us, thank you. A man it's such a pleasure to be playing with, and such a pleasure to have in the band as well, Josh Phillips, over on the new B3! The new B3. Completely powerful [?], goes in a suitcase. On the bass ... drinking beer ... Matt Pegg. And once again, back on the drums there, for sure he'll stand up ... or are you standing up? Oh! Geoff Dunn (huge cheer). [Soundboard?] Only the second time he's played, Geoff Dunn has played in England. Second time ever he's played the drums, he says. And on guitar, from Gravesend, Geoff Whitehorn. Thank you very much ladies and gentlemen. And thank you very much to Roland and Jens and all the people at 'Beyond the Pale' for bringing us over here ... from Norway. Thank you very much. We'll ... er ... [pondering to do
... one that was writ Wednesday but changed] We could either do one you know
... I tell you what, if we do one you do know, then we do one you
don't know, then we can run half-way through, and get out before you do.
Beat us up. So I think we'll play it that way round. Go out on a bad note.
Always our way. Never to be invited back. Do you think that's true? (shouts
of 'No') We played with an orchestra in Sweden the other week and we
did this intro to this song, because this is where it actually started, once
upon a time, with the inspiration. So we'll try it in front of you people
'cos you seem rather tolerant. Do you know what we're doing (laughter!)
Haven't said, have I? (JP: I guessed!). You guessed! (GW: could be wrong!)
That's why ... I was checking. Is your Leslie switched on? It wasn't. (JP:
There's two switches ... ) Yes, well we don't have to go into the whole
thing. Is it switched on? |
Procol Harum play A Whiter Shade of Pale |
Thank you. Thank you. |
Procol Harum play Missing Persons |
Just making it up ... Oomasta galli fammon (or something similar) ... and have a safe journey. God bless you! |
Procol dates in 2007 | More about the 40th Anniversary celebrations | More song-introductions
PH on stage | PH on record | PH in print | BtP features | What's new | Interact with BtP | For sale | Site search | Home |