The sign over the back entrance, by which artists and their guests came and went
Graham Ewins was installed at the desk at the back of the Chapel when we arrived. Note the large camera on a trolley as well
Procol had quite a gloomy aspect until the lights came on – but they were playing brilliantly
The much-travelled drum head, behind its Perspex baffle on this occasion
"Your presence here today constitutes your express consents to the filming and recording of your likeness for use in the above mentioned film. Such consent shall extend to the use of any such material for any and all purposes in all media now known or yet to be discovered for the full periods of copyright and thereafter in so far as possible in perpetuity and you irrevocably assign to Eagle Rock Entertainment limited any rights or interest, moral otherwise you may have in the same" ... which was great if you actually saw this notice exhibited anywhere ...
Hard to get a decent shot of the building's remarkable interior with a built-in flash
Gary Brooker soundchecks in the suit he was wearing to Buckingham Palace earlier in the day
Less formal attire for Matt and Matthew. Nice Victorian work in the background
Matt smiles for One-Eye's camera. Derek Haggar, technician, in the background
Johnny in attendance on the Commander ... a clockwork mouse dances atop the
faux grand