Blending the present with the past

Procol Harum promotes powerful new effort

This review was kindly sent to BtP by its author, Timothy Tilghman. It is also online at his RockonTour site (a pun on 'raconteur' if you have a transAtlantic accent), "the Single Source for the Concertphile". Its heart is in the right place, but the review has some oddities, excusable once you know that Timothy didn't know the Procol repertoire at all, and worked from an incorrect setlist which was erroneously confirmed for him by other Birchmere concert-goers. Correspondence between Timothy and BtP, and BtP's US representative at the gig, has assured him that the setlist we published is correct, but he stands by his statements about Repent (in waltz-time) and A Salty Dog (the mellow rocker): it's probably a question of identifying the songs by the wrong titles. No harm done! We are sure Palers will read it all in the spirit in which it was intended, and welcome another convert to this grand music.

Procol Harum performed at the Birchmere Music Hall in Alexandria, Virginia, on Tuesday, May 6, 2003. Pianist Gary Brooker and organist Matthew Fisher were joined by Mark Brzezicki on drums, Matt Pegg on bass, and Geoff Whitehorn on guitar for The Well's On Fire Tour.

On tour to promote a new album, The Well's On Fire, Procol Harum successfully mixed new material with their established repertoire of music seamlessly. These new compositions were just as entertaining and potent on stage as their tried-and-true back catalogue.

The band simply walked out to audience applause as Whitehorn's guitar intro launched the performance with The VIP Room off the new disc. The rhythm section's strong drums and deep bass were complimented [sic] by Whitehorn's choice bottleneck guitar solo.

Another new and exciting number, Wall Street Blues, showcased cool guitar riffs from Whitehorn. A subtle R&B sub-current added foundation to the song, aided by Fisher's signature organ textures. Their new power ballad, Fellow Travellers, spotlighted fluid bursts of lead guitar lines from Whitehorn.

An unanticipated Repent Walpurgis slipped into the setlist right before intermission. The waltz-tempo surged in strength with a round of brief solos on guitar, keyboards, and organ. The band really excelled musically on an extended coda that included a brief drum solo.

Their second set commenced with Simple Sister, a thumping rocker. Whitehorn assaulted his guitar neck to produce a wailing guitar solo, which featured a bass, drums and keyboards interlude at the bridge. The melodic Shadow Boxed was a fast-paced rocker, which highlighted Whitehorn's shimmering guitar sound.

Brooker's piano passage introduced Conquistador, segueing into an intense version with a fierce guitar solo. Fisher's organ-flare [sic] spiced up the tempo and earned the band a standing ovation. Brooker was in fine vocal form on A Salty Dog. Whitehorn's guitar and Brooker's piano romped in unison on the melody for this mellow rocker. The group took a bow together before their stage exit.

The band's encore featured a stellar version of Whiter Shade Of Pale, which closed the concert on a high note. Fisher's organ intro powered the mellow rocker, supported by the tight rhythm section. Brooker nailed the vocal, and the classic number ended in a crashing crescendo, generating a standing ovation for Procol Harum.

Brooker and Fisher recreated the Procol Harum sound on stage with excellent musicians supporting them on stage. During the stage segues between songs performed, Brooker interjected humorous quips and engaged audience comments from the crowd.

Thanks, Timothy