Soundcheck for Procol Harum. Can you recognise the three figures in the front row?
It's also a light-check, of course, though there's a lot of natural light as well
Here you can see the side-seats, from which these photographs were taken
The Hammond settings for A Whiter Shade of Pale : these shots taken directly after the song was played
More AWSoP registration-shots ... also visible, the organist's refreshments
General shot of the C3 with the Roland keyboard neatly perched on top
For many it was a first glimpse of Mark's customised kick-drum head
One of Geoff's guitars, and Matt's old bass (with Vermont sticker on the back)
Kick-head close-up
John fettling the kit
Another view of the drum set-up
Looking along the keys of Gary's RD 600: the Kurzweil MIDI module may be seen at the bass end
Procol's excellent sound-man, Graham Ewins, at the board in the Stables control-booth